Approximately 3 hours and 45 minutes including intermission

Latecomers will not be admitted into the auditorium once the performance has begun. Entry will only be permitted during intermission, if applicable

Dubai Opera is the ideal venue to celebrate elegance and style. Kindly avoid overly casual or provocative attire, such as shorts or flip flops, to uphold our venue standards. Guests not complying with the dress code will not be permitted entry.

6+ years would require a ticket to enter the Dubai Opera Main Auditorium.

Below 6+ years are not permitted into the Dubai Opera Main Auditorium.

This ticket is sold subject to these Ticketing Terms and Conditions (the “T&C”). The T&C should be read carefully prior to purchase and purchase of Ticket(s) constitutes acceptance of the T&C.

• Latecomers will not be admitted into the auditorium once the performance has begun. Entry will only be permitted during intermission, if applicable.

• This ticket must be produced to gain entry into an event.

• Removing any part of, altering or defacing the ticket may invalidate it.

• This ticket must not, without the prior written consent of Dubai Opera, be resold or used for advertising, promotion or other commercial purposes, if not the ticket will be cancelled immediately.

• This ticket is only valid for the specific date, time and event shown.

• Dubai Opera does not offer refunds or exchanges as a result of a change in your personal circumstances. Dubai Opera at its sole discretion may only refund or exchange a ticket if an event is cancelled or rescheduled and you cannot attend the rescheduled event. This includes, but is not limited to, any circumstances related to Covid-19 which might prevent you from attending.

• Dubai Opera can only replace lost, stolen or damaged tickets if the authenticity of the ticket can be verified, including proof of purchase, subject to replacement fee.

• Dubai Opera reserves the right to add, withdraw, reschedule or substitute artists and/or vary advertised programmes, prices, seating arrangements and audience capacity without prior notice.

• Admission to an event is subject to Dubai Opera’s Conditions of Entry which can be found on Dubai Opera’s website www.dubaiopera.com

• Where concessions are applicable, valid proof of identity and concession entitlement must be provided for collection of tickets at the event.

• Entry to the event may be subject to age restrictions specified in Dubai Opera’s website www.dubaiopera.com or in publicity for the event, and no refund will be made on the grounds that the ticket holder was not aware of such age restrictions.

• Dubai Opera reserves the right without refund or compensation to refuse admission/evict any person(s) whose conduct is disorderly or inappropriate or who poses a threat to security, or to the enjoyment of the event by others.

• The ticket holder agrees to submit to any search for any prohibited items including but not limited to weapons, controlled, dangerous and illegal substances and recording devices.

• The use of mobile phones, camera and other electronic devised inside the auditorium are prohibited. Exceptions may occur depending on the type of event.

• The ticket holder voluntarily assumes all risk and danger incidental to the event whether occurring prior to, during or subsequent to the actual event, including any death, personal injury, loss, damage or liability.

• Food & Beverage purchased outside Dubai Opera are not permitted. Food and beverages are strictly prohibited inside the auditorium. This applies before the show, during the show and during the intermission. Exceptions may occur depending on the type of event.

Act I

Siegfried’s birthday party in the castle garden

To celebrate Siegfried’s eighteenth birthday, Alexander and the courtiers and neighbours have organized a surprise party for him in the garden of the castle. The Prince’s tutor Von Rasposen is irritated by Siegfried and Alexander’s friendly relationship with the local peasants. The festivities are interrupted by the arrival of the Queen, the Prince’s mother. She presents her son with a ring reminding him of his future role as successor to the throne: he will soon have to choose a bride. Siegfried is downcast at the prospect of his youth drawing to a close. As darkness falls he and Alexander ponder on the future. They decide to explore the surrounding forest.

Act II

The meeting with Odette

Lost in the forest, Siegfried and Alexander arrive at the banks of a great lake. A huge circling bird of prey fills them with fear: it is as if the form of Von Rasposen is still spying on them. The bird of prey – in fact the wicked magician Von Rothbart – summons a swan out of the dark lake, which takes on human form. In Odette, the Swan Queen, and her retinue of swan maidens, Siegfried believes he has found the realization of his ideal of sincerity and simplicity. Surrounded by these pure shapes he is overcome with joy. He swears to remain forever true to his ideals.

Act III

The betrayal

During a ball at the castle several brides-in-waiting are presented to Siegfried. But to the amazement of the guests, and to his mother’s alarm, Siegfried refuses to make a choice; all the pomp and splendour contrast starkly with the purity of the vision experienced at the lakeside. Von Rasposen announces the last guests: Von Rothbart, his daughter Odile and their retinue. Siegfried imagines that the Black Swan, Odile, is a manifestation of the White Swan Queen, Odette, but still he wavers. Von Rothbart and Odile blind him with a sensual display of dazzling virtuosity. To Alexander’s dismay Siegfried yields and offers Odile the ring. Too late he realizes that he has betrayed his ideal, Odette. Stricken, he flees back to the lake in despair.

Act IV

The reconciliation with Odette

Disillusioned and betrayed, Odette and the swan maidens tarry by the moonlit lakeside, where Siegfried finds them. Odette forgives Siegfried and attempts to comfort him, telling him that he must learn to live with reality. Von Rothbart tries to drive Siegfried away from the lake, but although Siegfried manages to defy him, he drowns in the waters. Von Rasposen abandons his futile search for the Prince, while Alexander discovers the lifeless body of his friend. In Alexander, Siegfried’s ideals will live on.